Cyril Harry Parfitt was born on 6th February 1914 in Norwich, Norfolk. He attended the prestigious Gateway School in Leicester and won a scholarship to Leicester College of Art where he studied for three years.
While at College his passions were art and music. He played the accordion well as a young man, he then went on to play both both piano and electric keyboard which he enjoyed throughout his life. He spoke fluent German and cited his reason for learning it so as to enjoy reading Goethe in its original German text. His early career saw him serve an apprenticeship as a lithographic artist.
He worked as a graphic designer in Leicester where his work was frequently seen on many well known products across the country. He joined the army at the outbreak of World War II.
Due to his extensive experience as a litho artist he was eventually posted to Wales where he mastered the art of mapmaking and was entrusted with the task of drafting top secret invasion maps.
During this period he was to establish a special friendship with renowned artist Terence Cuneo, of this enduring friendship, he had many interesting anecdotes. He was also given a wonderful sketch Cuneo did of him as a young soldier as well as regularly corresponding with him.
Cyril created a cartoon character called 'The Git' and produced a book featuring it in various guises. David Hands of the Disney Corporation, then setting up in England, approached him and offered him a job which he decided to decline.
After the War he put his skills to good use and accepted a position in new Government Department, ‘The Directorate of Overseas Surveys’ (DOS), where he ran his own experimental section. Here he was nicknamed The Wizard of DOS such was his extraordinary talent and problem solving abilities. One of his colleagues once said: “You can put Cyril in a room with absolutely nothing and he will still somehow manage to produce something utterly wonderful”.
Utilising his previous printing experience and knowledge he was responsible for designing and supervising colour proofing on specialised relief maps. He innovated new approaches to relief effects and developed a technique for photo mapping.
He prepared international exhibitions and his special maps were acclaimed by world wide cartographic establishments. Two such pieces were exhibited at the Design Centre in London. His contribution to mapping was written about and included in a book produced by the National Geographic Magazine.
He has designed posters, brochures and logos as a designer, invented games and a pencil shading device and has always been fascinated by working with magnets. He has made many decorative roundabouts featuring coloured lights and powered by hot air.
A love of fireworks saw him making them in his garden shed. A ready supply of chemicals came from his wife as she was working as a dispensing chemist at the time. Fortunately 'the elf' (and safety) wasn't around in those days. Many sparks flew and loud bangs ensued and Cyril was lucky to emerge, virtually unscathed having only lost his eyebrows and being rendered temporarily deaf after one such attempt created a rather powerful explosion as it ripped through the shed roof.
He enjoyed making rocket powered model boats which he memorably let loose on the water in Bushy Park and were reported on in the book 'Mapping the World' about the history of the Ordnance Survey. There is also a section in the book on his handiwork in mapping Mount Kenya.
His early paintings have always been of a whimsical nature although he is a competent artist in the conventional style with landscape being a favourite subject. His portraiture and pencil drawings have a lightness and sensitivity much admired.
His fantasy sculptural pieces have been produced in clay and his moving sculptures utilise an assortment of bright and colourful ‘odds and ends’ he has salvaged and stored, truly ‘green’ pieces of work. He has always had an eye for the bright and glittering, the vivid and arresting and toyed with the idea of working with stained glass at one point in his career.
He has even appeared on television with his creations and his work has been sold in galleries both in the UK and internationally.
Many of his pieces of artwork have been selected by the Royal Academy. The pencil drawing ‘Looking Back’ which took 700 hours and consists of over 6,000 pencil strokes was hung in the Summer Exhibition in 1981. Acclaimed as ‘an amazing technical feat’ by The Academy it is a favourite with fans.
Cyril’s art works were created from his vivid and active imagination. He produced fantasy worlds and visions, never mundane always original, inventive and visionary.
Particularly inspired by the ‘Turner’ skies here he started to incorporate them into some of his work. He was delighted to see the Turner Gallery taking shape and looked with interest to the artistic endeavours of the local area to assist the regeneration of this beautiful part of the country.
He spent his latter years based in Thanet. His ‘technical feet’ weren't as lively but his mind lost none of its clarity and vision. He was seldom seen without pencil and paper, even when confined on occasion, to a hospital bed, always doodling and creating sketches of his own fantasy world.